Grandfather's prayers were often very
interesting. He had the gift of simple and moving expression. Because he talked
so little, his words had a peculiar force; they were not worn dull from
constant use. His prayers reflected what he was thinking about at the time, and
it was chiefly through them that we got to know his feelings and his views
about things.
Selected as one of the 100 Best Western Novels by
editor Jon Lewis.
This 1918 is a curious choice as it does, indeed, take
place in the West, Nebraska to be specific, it is more a tale of farmers and small-town
immigrant life than it is a Western in the cattleman, six-shooter, big climax sense.
And yet, the novel does not suffer for being included on
his list.
It is lovely. It is warm. It is full of masterful
writing.
It is akin to browsing the Americana drawings of Eric Sloane
where we are dipped and suffused into a scene of what once was and left
wistful.
Allow me to give you a few of these prose sketchings
of life.
At nine o'clock Mr. Shimerda lighted one
of our lanterns and put on his overcoat and fur collar. He stood in the little
entry hall, the lantern and his fur cap under his arm, shaking hands with us.
When he took grandmother's hand, he bent over it as he always did, and said
slowly, 'Good woman!' He made the sign of the cross over me, put on his cap and
went off in the dark. As we turned back to the sitting-room, grandfather looked
at me searchingly. 'The prayers of all good people are good,' he said quietly.
Or this…
When Ambrosch came back from Mr. Bushy's,
we learned that he had given Marek's wages to the priest at Black Hawk, for
Masses for their father's soul. Grandmother thought Antonia needed shoes more
than Mr. Shimerda needed prayers, but grandfather said tolerantly, 'If he can
spare six dollars, pinched as he is, it shows he believes what he professes.'
Some tales of woe are related in a mere paragraph but
are none the less impactful for their brevity.
Ole lived in a leaky dugout somewhere at
the edge of the settlement. He was fat and lazy and discouraged, and bad luck
had become a habit with him. After he had had every other kind of misfortune,
his wife, 'Crazy Mary,' tried to set a neighbour's barn on fire, and was sent
to the asylum at Lincoln. She was kept there for a few months, then escaped and
walked all the way home, nearly two hundred miles, travelling by night and
hiding in barns and haystacks by day. When she got back to the Norwegian settlement,
her poor feet were as hard as hoofs. She promised to be good, and was allowed
to stay at home—though everyone realized she was as crazy as ever, and she
still ran about barefooted through the snow, telling her domestic troubles to
her neighbours.
Cather populates this world with “realness.”
There was a basic harmony between Antonia
and her mistress. They had strong, independent natures, both of them. They knew
what they liked, and were not always trying to imitate other people. They loved
children and animals and music, and rough play and digging in the earth. They
liked to prepare rich, hearty food and to see people eat it; to make up soft
white beds and to see youngsters asleep in them. They ridiculed conceited
people and were quick to help unfortunate ones. Deep down in each of them there
was a kind of hearty joviality, a relish of life, not over-delicate, but very
invigorating. I never tried to define it, but I was distinctly conscious of it.
I could not imagine Antonia's living for a week in any other house in Black
Hawk than the Harlings'.
This single sentence seasonal observation is truth
squared.
WINTER LIES TOO LONG in country towns;
hangs on until it is stale and shabby, old and sullen. On the farm the weather
was the great fact, and men's affairs went on underneath it, as the streams
creep under the ice.
A single observation on the pull and hazards of the
West.
Why had the Spaniards come so far? What
must this country have been like, then? Why had Coronado never gone back to
Spain, to his riches and his castles and his king? I couldn't tell them. I only
knew the schoolbooks said he 'died in the wilderness, of a broken heart.' 'More
than him has done that,' said Antonia sadly, and the girls murmured assent.
The life on the page breathes real.
While I was putting my horse away, I heard
a rooster squawking. I looked at my watch and sighed; it was three o'clock, and
I knew that I must eat him at six. After supper Mrs. Steavens and I went
upstairs to the old sitting-room, while her grave, silent brother remained in
the basement to read his farm papers. All the windows were open. The white
summer moon was shining outside, the windmill was pumping lazily in the light
breeze. My hostess put the lamp on a stand in the corner, and turned it low
because of the heat. She sat down in her favourite rocking-chair and settled a
little stool comfortably under her tired feet. 'I'm troubled with calluses,
Jim; getting old,' she sighed cheerfully. She crossed her hands in her lap and
sat as if she were at a meeting of some kind.
The wistful hazards of “returning home.”
My business took me West several times
every year, and it was always in the back of my mind that I would stop in
Nebraska some day and go to see Antonia. But I kept putting it off until the
next trip. I did not want to find her aged and broken; I really dreaded it. In
the course of twenty crowded years one parts with many illusions. I did not
wish to lose the early ones. Some memories are realities, and are better than
anything that can ever happen to one again.
Scenes set as merrily as a Rembrandt rustic.
Ducks and geese ran quacking across my
path. White cats were sunning themselves among yellow pumpkins on the porch
steps. I looked through the wire screen into a big, light kitchen with a white
floor. I saw a long table, rows of wooden chairs against the wall, and a
shining range in one corner.
I’ll leave you with one more. A line referring to a
trip into the storage and canning shed.
Nina and Jan, and a little girl named
Lucie, kept shyly pointing out to me the shelves of glass jars. They said
nothing, but, glancing at me, traced on the glass with their finger-tips the
outline of the cherries and strawberries and crabapples within, trying by a
blissful expression of countenance to give me some idea of their deliciousness.
If any of this has spoken to you, you will find much
to charm in this old volume.
I am grateful for the visit.
