Love of life lulled Yaqui back into his dreams.
To live, to have his people around him, to see his dusky-eyed wife at her work,
to watch the naked children playing in the grass, to look out over that
rolling, endless green valley, so wild, so lonely so fertile-- such a proof of
God in the desert--to feel the hot sun and the sweet wind and the cool night,
to linger on the heights watching, listening, feeling, to stalk the keen-eyed
mountain sheep, to eat fresh meat and drink pure water, to rest through the
solemn still noons as sleep away the silent melancholy nights, to enjoy the
games of his forefathers--wild games of riding and running--to steal off alone
into the desert and endure heat, thirst, cold, dust, starvation while he sought
the Indian gods hidden in the rocks, to be free of the white man--to live like
the eagles-- to live-- Yaqui asked no more.
Another from the 100 Best Roster. This 1920 story from
Grey took me by surprise as my only exposure to him is his much-touted novel Riders
of the Purple Sage, a work that, in all honesty, I have never finished despite
numerous attempts.
Where that novel, at least the third I’ve read, bores
me, this story kept me surprised with its distinct tone shifts.
We begin with a well-researched account of the Yaqui Indians.
We go through a harrowing conflict and then a description
of the henequen industry, shift to a subplot of love amongst the Dons and end
with a Gothic revenge worthy of Poe.
The style kept this reader at a bit of remove but the tone
shifts and surprising brutality kept me reading to see where this tragic tale
was going.
It may not make my “Best of…” list but, impressed I
was.
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