The assemblage numbered about a hundred
men. One or two of these were actual fugitives from justice, some were
criminal, and all were reckless. Physically they exhibited no indication of
their past lives and character. The greatest scamp had a Raphael face, with a
profusion of blonde hair; Oakhurst, a gambler, had the melancholy air and
intellectual abstraction of a Hamlet; the coolest and most courageous man was
scarcely over five feet in height, with a soft voice and an embarrassed, timid
manner. The term "roughs" applied to them was a distinction rather
than a definition. Perhaps in the minor details of fingers, toes, ears, etc.,
the camp may have been deficient, but these slight omissions did not detract
from their aggregate force. The strongest man had but three fingers on his
right hand; the best shot had but one eye.
Another in the roster of The 100 Best Western Short
Stories as selected by Mr. Lewis.
One that is likely familiar to many, one that I myself
had read in younger days and returned to for its brevity.
If anything, the older me found far more to enjoy.
Harte’s craft is magnificent. He has a light touch
that limns large scenes with ease as the offered extract attests.
There is a jocular jovial feel about the entire proceeding
which is quite a feat when one considers this is nothing but a tale of somber
events.
Somber turns of fortune made noble by rough men finding
redemption in…well, I’ll not spoil it for first time readers or those who have
been away for a while.
My review may make it sound like heady stuff, but
Harte is better than that. He hides his art like the artist he is.
Easy A.
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