Our supper was pretty horrible--not the
food, of course, but old Mrs. Moore. She had a voice like a file with which she
dispensed lies and gossip with the abandon of a malicious child. Old Mr. Moore,
who had a mechanic’s love of a fact, talked under and around her in a soft,
slow way, chiding her gently and picking up the pieces of destroyed reputations
and putting them together again.
This novella is one of the 100 Best picks by Mr.
Lewis.
It originally appeared in a 1948 issue of Western
Bonanza.
This amiable tale is an example of the range that the
Western story can be.
There is an assumption of those unfamiliar with the genre
that there is any width and breadth in story. That all must be rough and rowdy
tales and gunplay must play a part.
Some, yes, to be honest, most tales go that route.
And there are many fine tales in that vein, but those
tales always have a whiff of inevitability to them. Just as a crime novel must
always, ultimately, be about the crime itself, the mystery plot must glue itself
to the crime or you have nothing.
The Western shoot ‘em up, no matter how insightful
elsewhere, must run the rails to get to the confrontation.
But the Western story also allows expansive room that
most other genres do not enjoy.
In this novella, not one shoot-out.
Not one fistfight.
Not one “Steel-eyed stranger” to be wondered at.
It is a tale of a small town, a flooded mineshaft, and
the economic future that is pinned upon being able to pump the shaft free.
It plays as a sort of working man’s Main Street.
It is a fine solid tale, one easily appreciated by
those who like their Westerns refreshingly expansive in definition.
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