“He’ll probably try to kill us both. Frank
Cord, I mean.”
“You scared?”
“A
little.”
Guild said, “That's about how much I’m
scared, too.”
Here we have, to my eye, a bit of a curiosity. It is
Tuska’s pick for the best of this author, and there is indeed craft here.
Pacing, setting, all the elements are here, and yet…I find the entire affair a
bit toothless.
A bit, “I’ve mapped out all the discrete parts that
should make a fine Western tale, now let’s Insert Slot A into Hole B.”
Our protagonist is a troubled bounty-hunter, his trouble
is outlined for us at the beginning of the novel.
We are told the incident haunts him.
Beyond a mention of the incident here and there I
never felt any haunting.
Truthfully, I never felt that any character here was
alive. They all seem dress-up simulacra from other more vital novels.
We have confrontations simply because this part of the
plot demands it.
We have passionless relationships that we are told are
meaningful.
It seems strange to find so little to like in a novel
that is clearly written with craft.
To be clear, there is nothing wrong with the elements—it
is all in the stew itself. All a bit watery.
Then again, perhaps the fault is all mine for failing
to see the art here.
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