“L’il ol’ town, you don’t amount to much,” said Harry
Destry. “You never done nothin’ an’ you ain’t gunna come to no good. Doggone me
if you ain’t pretty much like me!”
That quote sums up my feelings about this
book.
This 1930 novel by the mighty prolific
Max Brand pops up on many a Westerns“Best of” list but for the life of me I
don’t know why.
I try to steer away from negative reviews,
I’d rather be a finger pointing to the good stuff [which there is much] and
stay quiet about the less than ideal.
But with the presence of this novel on the aforementioned lists, it
seems a counterpoint might be in order to save the time of those with tastes
similar to what you find on this blog.
First, the novel bears little relationship
to the charming film of the same name. The film deserves a place on “Best of” lists,
not so the source material.
The above quote is the opening line of
the novel and if you are a fan of dialect and colloquialism, then you may find
much here to keep you turning the page. I have a low tolerance for such speech particularly
if it rings inauthentic.
Wister’s use of such dialect in The Virginian does not rankle me as does
this confabulation.
I will confess this was my first
exposure to Max Brand, and perhaps his other work is exemplary, but this sort of
writing and plotting is just the sort of thing I think Western nay-sayers have
in mind when they take a condescending look at the genre. If this novel were my
only exposure, I would take a pass on the Western.
Apologies to Brand fans everywhere, assume
I have poor taste. But to call it like I see it, this brief novel was a chore
to get through, genre-best or not.
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