Scallen glanced at the man across the street
and then to Jim Kidd. “Come here.” He nodded to the window. “Tell me who your friend
is over there.”
Kidd half rose and leaned over looking out the
window, then sat down again. “Charlie Prince.”
“Somebody else just went for help.”
“Charlie doesn’t need help.”
Dutch Leonard has been manufacturing smooth, cool, laconic prose since
the very beginning of his career. Crime or Western, either way, you’re most
likely in for a fine ride.
This classic story is probably familiar to most since we’ve had two film
versions of it.
It cooks along well and is marked by Leonard’s spare style and his
easy insight into assessing the figure in front of you. Few match him for those
moments of reading a character’s make-up in small actions.
A fine story indeed.
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